Katanagatari

Katanagatari

Katanagatari

  • Trailer: NISAmerica trailer
  • What it’s about: Two hundred years ago, a swordsmith created a legacy that would shape the future of Japan. The thousand blades he forged decided the victor of the civil war, but those weapons were just practice. His true masterpieces – the 12 Deviant Swords – passed into legend. Now, a wily courtier named Togame has sought the help of a legendary martial artist in tracking them down.
  • Why you should watch it: It’s a beautiful show. From top to bottom. The painterly and stylised art style, the choreography and animation, the incredibly varied character designs, the eclectic yet fitting soundtrack, the plot, the characters, the themes and the way that the writers and director manage to pull them all together into an even greater whole. The relationship between the two protagonists has one of the most fun dynamics I’ve seen in anime: simultaneously sweet, funny, and continuously changing as they learn more about each other and themselves. I particularly liked the casual intimacy, in a medium that often struggles to have characters physically close without playing it for laughs. Each episode works almost as a standalone, but when strung together form a truly beautiful story. The show gives its themes space for elaboration without becoming navel-gazing, and keeps things moving with a blend of comedy, action, and conversation.
  • Caveats: If you’ve tried any of the writer’s other works – particularly the Monogatari series – you’re likely familiar with the sheer weight of dialogue he heaps onto every scene, and Katanagatari is no exception. Characters will talk while they walk, eat, relax, and fight. It’s all well-written stuff, but I know that it bothers some people so it’s worth mentioning up-front.
  • Themes: The burden of legacy. How you need to abandon the past, abandon the expectations placed upon you and the grand goals you set for yourself, and simply live. After all, time brings an end to all things, and the moments that pass will never be recaptured. Living for others and not yourself is the act of a tool – a sword – not a true person. But despite being a show about mortality and futility, it manages to convey a bright message all the same.
  • Similar works: Samurai Champloo, Hitsugi no Chaika and, oddly enough, Spice and Wolf.
Advertisements

4 comments

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s